A BLOG DEDICATED TO MY LOVE OF THE SILVER SCREEN
Established May 2010.


Gordie: Do you think I'm weird?
Chris: Definitely.
Gordie: No man, seriously. Am I weird?
Chris: Yeah, but so what? Everybody's weird.
-STAND BY ME

Film Critic for Twin Cities Live

Member of THE LAMB: The Large Association of Movie Blogs LAMB #1588

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Showing posts with label Lupita Nyong'o. Show all posts
Showing posts with label Lupita Nyong'o. Show all posts

Wednesday, March 5, 2014

Movie Review: NON-STOP

NON-STOP
Director: Jaume Collet-Serra
Starring: Liam Neeson, Julianne Moore, Michelle Dockery, Scoot McNairy, Corey Stoll, Lupita Nyong'o


Just look at that movie poster. It's got Liam Neeson flying through the air, gun in hand, and the oxygen masks have been deployed. You know all hell has broken loose on that flight. Let's go back a bit. Federal Air Marshal Bill Marks (Neeson) is boarding a non-stop flight to London and comes in contact with numerous passengers on his way to board. He keeps a close eye on them giving them a full body mental scan as he encounters them in the bathroom or at the gate. He is naturally skeptical about all of them and we are all supposed to believe they are shady and untrustworthy. Isn’t everyone that boards a plane up to no good? He runs into the Amsterdam bound Tom Bowen (McNairy) who seems kind of nerdy. Frequent traveler Jen Summers (Moore) is determined to have a window seat and will switch with anyone to make that happen.


The flight takes off without a hitch, but it is not long before Marks starts receiving threatening text messages over the secured network. The texts demand that $150 million be transferred to an unknown account. If that doesn’t happen within twenty minutes, someone aboard the plane will die and the deaths will continue every twenty minutes until the money has been transferred. Marks is the diligent type that takes every threat serious no matter what the other air marshal on board or the TSA have to say about it. The situation grows even more precarious for Marks once he is informed that the bank account is registered under his name. Our hero has now turned into American’s most wanted once the media get wind of the situation.


Alright, folks, let’s have a Come to Jesus moment here. It’s early March and we are just getting over all of the heavy Oscar material. What is better than a no-brainer action flick that you can have fun with?!?! What else do you expect from a movie called Non-Stop? It’s clearly taking naming lessons from Speed and Taken. I mean, come on! These are super original titles. If you go into the latest Liam Neeson action thriller looking for something original that will change your life, you will only come out disappointed. Again, I remind you, it’s called NON-STOP. You have to go in expecting it to be somewhat ludicrous. You have to suspend your belief that everything is going to make perfect sense and that rules of logic and practicality are going to be thrown out the window.


When you take all of that into consideration, the film completely delivers on what it sets out to do. Director Jaume Collet-Serra (Orphan, Unknown) knows exactly the kind of movie he is making. Of course there are going to be a few 180 degree camera slow-motion camera tricks. We also get that classic shot where a gun is thrown into the air in slow motion with Liam Neeson grabbing it at just the right angle to fire off a shot. The film boasts three screenwriters who all have minimal credits to their name on IMDb. They include some little twists and turns to try to keep Marks and the rest of the audience off guard as he tries to figure out who the terrorist could be. They write the majority of the supporting characters with enough shady discord that anyone could be a suspect along the way. Thank God Lupita Nyong'o (Oscar winner for 12 Years a Slave) and Michelle Dockery ("Downtown Abbey's" Lady Mary!) are left as innocent flight attendants just trying to help out. There are some campy lines of dialogue along the way that induce a bit of laughter, but Neeson, Moore, and crew keep their acting in check without ever reaching the Nicolas Cage level of over-the-top-it's-the-end-of-the-world style acting.


Liam Neeson has been working NON-STOP these past few years especially in these action films like Taken, Taken 2, and Unknown. He's also had supporting work in The Dark Knight trilogy, the Clash of the Titans movies, The Grey, and The Lego Movie. His career has taken a very different turn compared to the roles he was playing when he first made his mark on the big screen. Some of his choices may not always work out in his favor like Battleship or The A-Team, but I give him credit for working in a variety of genres and series while only hitting a few roadblocks along the way. Non-Stop is by no means an original masterpiece of creative twists and turns, but it knows that. Again, I remind you that it's called Non-Stop. Do I punish a movie for not elevating itself to some other higher loftier standard? In this case, I do not. It sets out to be an entertaining fun ride. Mission accomplished. In fact, it makes me want to go out and watch some of those other Neeson action flicks.

Is it worth your trip to the movies?  Yes, especially if you are in the mood for a no-brainer action flick to take your mind off things

RATING: ***1/2 (3.5 out of 5 stars)



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Monday, March 3, 2014

THE 86th ACADEMY AWARD WINNERS

THE 86th ACADEMY AWARD WINNERS



BEST PICTURE
12 YEARS A SLAVE

BEST DIRECTOR
Alfonso Cuarón, Gravity

BEST ACTOR
Matthew McConaughey, Dallas Buyers Club

BEST ACTRESS
Cate Blanchett, Blue Jasmine

BEST SUPPORTING ACTOR
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Lupita Nyong'o, 12 Years a Slave

BEST FOREIGN LANGUAGE FILM
The Great Beauty, Italy

BEST ADAPTED SCREENPLAY
John Ridley, 12 Years a Slave

BEST ORIGINAL SCREENPLAY
Spike Jonze, Her

BEST ANIMATED FILM
Frozen

BEST PRODUCTION DESIGN
Catherine Martin and Beverly Dunn, The Great Gatsby

BEST CINEMATOGRAPHY
Emmanuel Lubezki, Gravity

BEST SOUND MIXING
Skip Lievsay, Niv Adiri, Christopher Benstead, and Chris Munro, Gravity

BEST SOUND EDITING
Glenn Freemantle, Gravity

BEST ORIGINAL SCORE
Steven Price, Gravity

BEST ORIGINAL SONG
"Let It Go", Frozen
Kristen Anderson-Lopez, Robert Lopez

BEST COSTUME DESIGN
Catherine Martin, The Great Gatsby

BEST DOCUMENTARY FEATURE
20 Feet from Stardom

BEST DOCUMENTARY SHORT SUBJECT
The Lady In Number 6: Music Saved My Life

BEST FILM EDITING
Alfonso Cuarón, Mark Sanger, Gravity

BEST MAKEUP AND HAIRSTYLING
Adruitha Lee, Robin Mathews, Dallas Buyers Club

BEST ANIMATED SHORT
Mr. Hublot

BEST LIVE ACTION SHORT
Helium

BEST VISUAL EFFECTS
Timothy Webber, Chris Lawrence, David Shirk, and Neil Corbould, Gravity

I don't think there were too many surprises from last night. My final outcome on predictions was 19 out of 24, which wasn't too bad. I should have stuck to my initial guesses on Best Picture and Best Costume Design, but I thought I would throw out some surprises. 20 Feet from Stardom took the award home for Best Documentary when many thought The Act of Killing had it in the bag. Ellen Degeneres completely nailed the opening monologue and brought an informal approach to her hosting duties, often times delivering bits from the audience. The selfie that broke Twitter was a fantastic idea and takes a bit of the stuffiness out of the room. I'm sure there will be some curmudgeons that will balk at her casual ways, but I found it entertaining. I will say that some of the bits took too long. The Oscars are always far longer than they need to be. I read many negative comments regarding some of the performances. I really enjoyed Bette Midler, Pink, and Idina Menzel. My biggest beef of the evening came with one of their presenters. Can I just throw it out there that John Travolta should not present again? Why does he always have to present one of the Best Song nominees? He completely butchered Idina Menzel's name. Don't they have rehearsals and pronunciation cards or something to ensure names are pronounced correctly? Travolta and his hair piece were two of the lowest moments of the evening. Some highlights of the evening include Jared Leto, Lupita Nyong'o and Cate Blachett who had wonderful and inspiring speeches. While Gravity took home the most with seven wins, 12 Years a Slave took home the final award for Best Picture.

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Sunday, January 19, 2014

The 20th ANNUAL SCREEN ACTORS GUILD AWARDS WINNERS

The 20th ANNUAL SCREEN ACTORS GUILD AWARDS WINNERS


OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE












THE WINNER: American Hustle

OTHER NOMINEES:
12 Years a Slave
August: Osage County
Dallas Buyers Club
Lee Daniels' The Butler

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE












THE WINNER: Matthew McConaughey, Dallas Buyers Club

OTHER NOMINEES:
Bruce Dern, Nebraska
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Forest Whitaker, Lee Daniels' The Butler

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE













THE WINNER: Cate Blanchett, Blue Jasmine

OTHER NOMINEES:
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County
Emma Thompson, Saving Mr. Banks

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE











THE WINNER: Jared Leto, Dallas Buyers Club

OTHER NOMINESS:
Barkhad Abdi, Captain Phillips
Daniel Bruhl, Rush
Michael Fassbender, 12 Years a Slave
James Gandolfini, Enough Said

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE













THE WINNER: Lupita Nyong'o, 12 Years a Slave

OTHER NOMINEES:
Jennifer Lawrence, American Hustle
Julia Roberts, August: Osage County
June Squibb, Nebraska
Oprah Winfrey, Lee Daniels' The Butler

OUTSTANDING ACTION PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE














THE WINNER: Lone Survivor

OTHER NOMINEES:
All is Lost
Fast & Furious 6
Rush
The Wolverine

The Lifetime Achievement Award went to Rita Moreno!
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Tuesday, November 26, 2013

THE HOLLYWOOD REPORTER--The 2013 Full Uncensored Actresses and Producers Roundtable

THE HOLLYWOOD REPORTER--The 2013 Full Uncensored Actresses and Producers Roundtable

The Hollywood Reporter continues their roundtable discussions with two more that have been released in the series. This time we have many of the actresses and producers that are making a splash this awards season. You may notice some of the same movies being discussed, but it is always interesting hearing about the process from different perspectives involved in the production. I have included links to all of my reviews thus far.

The Actresses Roundtable













Amy Adams, American Hustle
Lupita Nyong'o, 12 Years a Slave
Julia Roberts, August: Osage County
Octavia Spencer, Fruitvale Station
Emma Thompson, Saving Mr. Banks
Oprah Winfrey, Lee Daniels' The Butler

“This is what I learned working with Meryl Streep. She works her ass off. It is not a magic trick. She does not just show up and be brilliant. You see the mechanics of it in way that I found such a comfort.” -Julia Roberts



The Producers Roundtable













Michael De Luca, Captain Phillips
Dede Gardner, 12 Years a Slave
David Heyman, Gravity
Charles Roven, American Hustle
Mark Wahlberg, Lone Survivor
Pam Williams, Lee Daniels' The Butler




In case you missed it,
-"The Actors Roundtable" can be found here
-"The Directors Roundtable" and "The Writers Roudtable" can be found here
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Thursday, November 7, 2013

Movie Review: 12 YEARS A SLAVE

12 YEARS A SLAVE
Director: Steve McQueen
Starring: Chiwetel Ejiofor, Michael Fassbender, Alfre Woodard, Lupita Nyong'o, Paul Dano, Benedict Cumberbatch, Paul Giamatti, Brad Pitt


Not since Steven Spielberg’s Schindler’s List has a film so vividly captured a horrifying chapter in history. Steve McQueen’s (Shame, Hunger) latest film is an adaptation of the memoir of the same name by Solomon Northup. In 1841, Solomon (Ejiofor) was a free black man with a wife and two children. Being an accomplished violinist, he is targeted by two men (Scoot McNairy and Taran Killam) posing as artists offering him a chance to be a part of a touring music gig. He is bound and kidnapped after he passes out after a night of heavy libations.


He is sold into slavery and given the new name “Platt”. For twelve years, he is sold off to various plantations. His first owner, William Ford (Cumberbatch) is a preacher and seems to treat him a bit better than future owner Edwin Epps (Fassbender). Solomon and fellow slave Patsey (Nyong’o) spend the majority of their time under the cruel and vicious hands of Epps and his mistress (Paulson). He holds onto enough hope that someday he will be rescued.


The film is getting a lot of buzz about how brutal the depiction of slavery is. I have even read some articles stating that movies goers, even members of the Academy, are walking out or cannot take too much of it due to the violence and graphic nature. I would like to know what these people were expecting. A light walk in the park? This is a tragic period of American history and I applaud director Steve McQueen for going all in by depicting the violence, hatred, and brutality that went into it. I do not feel like we see enough directors that are willing to tackle such dark and horrific moments in history. If they do, they end up sugar coating the truth or adding in some sort of love story or fictitious subplot to lighten the tone.


The story gets right into the nitty gritty early on as Solomon is sold into slavery within the first fifteen minutes. For the next two hours, you may feel a tight wad of anxiety and intensity inside of you as it never lets up. It compels you to watch Solomon’s journey that hopefully challenges you as an individual and demands your attention. There are numerous moments where I could hear the others around me squirm and writhe in their seats.


McQueen has assembled a big cast of heavy hitters, many of whom have very small parts. Pitt and Cumberbatch appear for about fifteen minutes or so. Paul Giamatti, Alfre Woodard, and Bryan Batt are all on screen for about five minutes each. Paul Dano gives another strong performance this year after his turn in Prisoners. Fassbender’s character is truly heinous in every possible way. There are very few redeeming qualities about him. At times I wanted more out of him than just a monster. As Patsey, Nyong’o is a revelation who is vulnerable and heartbreaking in every way. I expect an Oscar nomination to come her way. We now come to Chiwetel Ejiofor who is the heart and core of this film. He carries so much weight and determination in his eyes the whole film. You just look into his eyes and see layers behind them. You never see Solomon give up. Ejiofor conveys so much emotion and range without it being a flashy or showy performance. The simple yet effective cinematography by frequent McQueen collaborator Sean Bobbitt oftentimes is a still shot focusing on Ejiofor hoping, praying, and waiting for help to come his way. In so many movies these days, the camera is zipping by so fast that it can be hard to keep up. The exact opposite is happening here it where keeping the camera still gets these images and actions ingrained in your head.


How do you walk away saying this is great film when it is about such horrific events? You are not left with that feel good type feeling like you do after say The Way Way Back. Instead, you are left with this pit in your stomach. You have to go back and judge it off how well did McQueen do his job as a storyteller. Did it affect you in another way? Did it teach you something? Does it leave you in deep discussion afterwards? Did it shake something inside of you? McQueen has created a film that is sure to be talked about for quite some time. There are certain scenes and images that I cannot stop thinking about that I would love to discuss here, but it is better to just experience them firsthand without me spoiling them.

RATING: ***** (5 out of 5 stars)

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