THE 86th ACADEMY AWARD WINNERS

THE 86th ACADEMY AWARD WINNERS

BEST PICTURE

12 YEARS A SLAVE

BEST DIRECTOR

Alfonso Cuarón, Gravity

BEST ACTOR

Matthew McConaughey, Dallas Buyers Club

BEST ACTRESS

Cate Blanchett, Blue Jasmine

BEST SUPPORTING ACTOR

Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS

Lupita Nyong'o, 12 Years a Slave

BEST FOREIGN LANGUAGE FILM

The Great Beauty, Italy

BEST ADAPTED SCREENPLAY

John Ridley, 12 Years a Slave

BEST ORIGINAL SCREENPLAY

Spike Jonze, Her

BEST ANIMATED FILM

Frozen

BEST PRODUCTION DESIGN

Catherine Martin and Beverly Dunn, The Great Gatsby

BEST CINEMATOGRAPHY

Emmanuel Lubezki, Gravity

BEST SOUND MIXING

Skip Lievsay, Niv Adiri, Christopher Benstead, and Chris Munro, Gravity

BEST SOUND EDITING

Glenn Freemantle, Gravity

BEST ORIGINAL SCORE

Steven Price, Gravity

BEST ORIGINAL SONG

"Let It Go", Frozen

Kristen Anderson-Lopez, Robert Lopez

BEST COSTUME DESIGN

Catherine Martin, The Great Gatsby

BEST DOCUMENTARY FEATURE

20 Feet from Stardom

BEST DOCUMENTARY SHORT SUBJECT

The Lady In Number 6: Music Saved My Life

BEST FILM EDITING

Alfonso Cuarón, Mark Sanger, Gravity

BEST MAKEUP AND HAIRSTYLING

Adruitha Lee, Robin Mathews, Dallas Buyers Club

BEST ANIMATED SHORT

Mr. Hublot

BEST LIVE ACTION SHORT

Helium

BEST VISUAL EFFECTS

Timothy Webber, Chris Lawrence, David Shirk, and Neil Corbould, Gravity

I don't think there were too many surprises from last night. My final outcome on predictions was 19 out of 24, which wasn't too bad. I should have stuck to my initial guesses on Best Picture and Best Costume Design, but I thought I would throw out some surprises. 20 Feet from Stardom took the award home for Best Documentary when many thought The Act of Killing had it in the bag. Ellen Degeneres completely nailed the opening monologue and brought an informal approach to her hosting duties, often times delivering bits from the audience. The selfie that broke Twitter was a fantastic idea and takes a bit of the stuffiness out of the room. I'm sure there will be some curmudgeons that will balk at her casual ways, but I found it entertaining. I will say that some of the bits took too long. The Oscars are always far longer than they need to be. I read many negative comments regarding some of the performances. I really enjoyed Bette Midler, Pink, and Idina Menzel. My biggest beef of the evening came with one of their presenters. Can I just throw it out there that John Travolta should not present again? Why does he always have to present one of the Best Song nominees? He completely butchered Idina Menzel's name. Don't they have rehearsals and pronunciation cards or something to ensure names are pronounced correctly? Travolta and his hair piece were two of the lowest moments of the evening. Some highlights of the evening include Jared Leto, Lupita Nyong'o and Cate Blachett who had wonderful and inspiring speeches. While Gravity took home the most with seven wins, 12 Years a Slave took home the final award for Best Picture.

THE ANNUAL BRITISH ACADEMY OF FILM AND TELEVISION ARTS AWARDS WINNERS

THE ANNUAL BRITISH ACADEMY OF FILM AND TELEVISION ARTS AWARDS WINNERS

The countdown to the Oscars continue as the winners of The BAFTAs were announced Sunday night. There were not too many surprises here, but the equal love for 12 Years a Slave and Gravity still makes your Oscar ballot a bit tricky to fill out.  Despite the win for Jennifer Lawrence, I still think Lupita Nyong'o will take home the Oscar.

 Let's take a take at the BAFTA winners...

BEST FILM
12 Years a Slave

OUTSTANDING BRITISH FILM
Gravity

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
Kieran Evans (Director/Writer) Kelly + Victor

FILM NOT IN THE ENGLISH LANGUAGE
The Great Beauty

DOCUMENTARY
The Act of Killing

ANIMATED FILM
Frozen

DIRECTOR
Alfonso Cuarón, Gravity

ORIGINAL SCREENPLAY
Eric Warren Singer and David O. Russell, American Hustle

ADAPTED SCREENPLAY
Steve Coogan and Jeff Pope, Philomena

LEADING ACTOR
Chiwetel Ejiofor, 12 Years a Slave

LEADING ACTRESS
Cate Blanchett, Blue Jasmine

SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips

SUPPORTING ACTRESS
Jennifer Lawrence, American Hustle

ORIGINAL MUSIC
Steven Price, Gravity

CINEMATOGRAPHY
Emmanuel Lubezki, Gravity

EDITING
Dan Hanley and Mike Hill, Rush

PRODUCTION DESIGN
Catherine Martin and Beverley Dunn, The Great Gatsby

COSTUME DESIGN
Catherine Martin, The Great Gatsby

MAKE UP AND HAIR
Evelyne Noraz and Lori McCoy-Bell, American Hustle

SOUND
Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, and Chris Munro, Gravity

SPECIAL VISUAL EFFECTS
Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, and Nikki Penny, Gravity

BRITISH SHORT ANIMATION
Sleeping with the Fishes

BRITISH SHORT FILM
Room 8

THE EE RISING STAR AWARD (voted for by the public)
Will Poulter

THE 71st GOLDEN GLOBE AWARDS WINNERS

THE 71st GOLDEN GLOBE AWARDS WINNERS

Here are the winners for the 71st Golden Globe Awards brought to you by The Hollywood Foreign Press Association

BEST MOTION PICTURE-DRAMA

THE WINNER: 12 Years a Slave

OTHER NOMINESS:
Captain Phillips
Gravity
Philomena
Rush

BEST PERFORMANCE BY AN ACTRESS-DRAMA

THE WINNER: Cate Blanchett, Blue Jasmine

OTHER NOMINEES:
Sandra Bullock, Gravity
Judi Dench, Philomena
Emma Thompson, Saving Mr. Banks
Kate Winslet, Labor Day

BEST PERFORMANCE BY AN ACTOR-DRAMA

THE WINNER: Matthew McConaughey, Dallas Buyers Club

OTHER NOMINESS:
Chiwetel Ejiofor, 12 Years a Slave
Idris Elba, Mandela: Long Walk to Freedom
Tom Hanks, Captain Phillips
Robert Redford, All is Lost

BEST MOTION PICTURE-COMEDY/MUSICAL

THE WINNER: American Hustle

OTHER NOMINESS:
Her
Inside Llewyn Davis
Nebraska
The Wolf of Wall Street

BEST PERFORMANCE BY AN ACTRESS-COMEDY/MUSICAL

THE WINNER: Amy Adams, American Hustle

OTHER NOMINEES:
Julie Delpy, Before Midnight
Greta Gerwig, Frances Ha
Julia Louis-Dreyfus, Enough Said
Meryl Streep, August: Osage County

BEST PERFORMANCE BY AN ACTOR-COMEDY/MUSICAL

THE WINNER: Leonardo DiCaprio, The Wolf of Wall Street

OTHER NOMINEES:
Christian Bale, American Hustle
Bruce Dern, Nebraska
Oscar Isaac, Inside Llewyn Davis
Joaquin Phoenix, Her

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

THE WINNER: Jennifer Lawrence, American Hustle

OTHER NOMINEES:
Sally Hawkins, Blue Jasmine
Lupita Nyong'o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

THE WINNER: Jared Leto, Dallas Buyers Club

OTHER NOMINEES:
Barkhad Abdi, Captain Phillips
Daniel Bruhl, Rush
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave

BEST DIRECTOR
THE WINNER: Alfonso Cuaron, Gravity

OTHER NOMINEES:
Paul Greengrass, Captain Phillips
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

BEST ANIMATED FEATURE FILM
THE WINNER:   Frozen

OTHER NOMINEES:
The Croods
Despicable Me 2

BEST FOREIGN LANGUAGE FILM
THE WINNER: The Great Beauty, Italy

OTHER NOMINEES:
Blue is the Warmest Color, France
The Hunt, Denmark
The Past, Iran
The Wind Rises, Japan

BEST SCREENPLAY
THE WINNER: Spike Jonze, Her

OTHER NOMINEES:
Bob Nelson, Nebraska
Jeff Pope, Steve Coogan, Philomena
John Ridley, 12 Years a Slave
Eric Warren Singer, David O. Russell, American Hustle

BEST ORIGINAL SCORE
THE WINNER: Alex Ebert, All is Lost

OTHER NOMINEES:
Steven Price, Gravity
John Williams, The Book Thief
Hans Zimmer, 12 Years a Slave
Alex Heffes, Mandela: Long Walk to Freedom

BEST ORIGINAL SONG
THE WINNER: "Ordinary Love", Mandela: Long Walk to Freedom

OTHER NOMINEES:
"Atlas", The Hunger Games: Catching Fire
"Let It Go", Frozen
"Please Mr. Kennedy", Inside Llewyn Davis
"Sweeter than Fiction", Once Chance

The 2014 Cecil B. DeMille Awards was presented to Woody Allen who, naturally, was not present so Diane Keaton accepted the awards upon his behalf.

What are your thoughts? Did the right people win? Any surprises or snubs?

Movie Review: 12 YEARS A SLAVE

12 YEARS A SLAVE
Director: Steve McQueen
Starring: Chiwetel Ejiofor, Michael Fassbender, Alfre Woodard, Lupita Nyong'o, Paul Dano, Benedict Cumberbatch, Paul Giamatti, Brad Pitt

Not since Steven Spielberg’s Schindler’s List has a film so vividly captured a horrifying chapter in history. Steve McQueen’s (Shame, Hunger) latest film is an adaptation of the memoir of the same name by Solomon Northup. In 1841, Solomon (Ejiofor) was a free black man with a wife and two children. Being an accomplished violinist, he is targeted by two men (Scoot McNairy and Taran Killam) posing as artists offering him a chance to be a part of a touring music gig. He is bound and kidnapped after he passes out after a night of heavy libations.

He is sold into slavery and given the new name “Platt”. For twelve years, he is sold off to various plantations. His first owner, William Ford (Cumberbatch) is a preacher and seems to treat him a bit better than future owner Edwin Epps (Fassbender). Solomon and fellow slave Patsey (Nyong’o) spend the majority of their time under the cruel and vicious hands of Epps and his mistress (Paulson). He holds onto enough hope that someday he will be rescued.

The film is getting a lot of buzz about how brutal the depiction of slavery is. I have even read some articles stating that movies goers, even members of the Academy, are walking out or cannot take too much of it due to the violence and graphic nature. I would like to know what these people were expecting. A light walk in the park? This is a tragic period of American history and I applaud director Steve McQueen for going all in by depicting the violence, hatred, and brutality that went into it. I do not feel like we see enough directors that are willing to tackle such dark and horrific moments in history. If they do, they end up sugar coating the truth or adding in some sort of love story or fictitious subplot to lighten the tone.

The story gets right into the nitty gritty early on as Solomon is sold into slavery within the first fifteen minutes. For the next two hours, you may feel a tight wad of anxiety and intensity inside of you as it never lets up. It compels you to watch Solomon’s journey that hopefully challenges you as an individual and demands your attention. There are numerous moments where I could hear the others around me squirm and writhe in their seats.

McQueen has assembled a big cast of heavy hitters, many of whom have very small parts. Pitt and Cumberbatch appear for about fifteen minutes or so. Paul Giamatti, Alfre Woodard, and Bryan Batt are all on screen for about five minutes each. Paul Dano gives another strong performance this year after his turn in Prisoners. Fassbender’s character is truly heinous in every possible way. There are very few redeeming qualities about him. At times I wanted more out of him than just a monster. As Patsey, Nyong’o is a revelation who is vulnerable and heartbreaking in every way. I expect an Oscar nomination to come her way. We now come to Chiwetel Ejiofor who is the heart and core of this film. He carries so much weight and determination in his eyes the whole film. You just look into his eyes and see layers behind them. You never see Solomon give up. Ejiofor conveys so much emotion and range without it being a flashy or showy performance. The simple yet effective cinematography by frequent McQueen collaborator Sean Bobbitt oftentimes is a still shot focusing on Ejiofor hoping, praying, and waiting for help to come his way. In so many movies these days, the camera is zipping by so fast that it can be hard to keep up. The exact opposite is happening here it where keeping the camera still gets these images and actions ingrained in your head.

How do you walk away saying this is great film when it is about such horrific events? You are not left with that feel good type feeling like you do after say The Way Way Back. Instead, you are left with this pit in your stomach. You have to go back and judge it off how well did McQueen do his job as a storyteller. Did it affect you in another way? Did it teach you something? Does it leave you in deep discussion afterwards? Did it shake something inside of you? McQueen has created a film that is sure to be talked about for quite some time. There are certain scenes and images that I cannot stop thinking about that I would love to discuss here, but it is better to just experience them firsthand without me spoiling them.

RATING: ***** (5 out of 5 stars)