A BLOG DEDICATED TO MY LOVE OF THE SILVER SCREEN
Established May 2010.


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Chris: Definitely.
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Chris: Yeah, but so what? Everybody's weird.
-STAND BY ME

Film Critic for Twin Cities Live

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Showing posts with label Side Effects. Show all posts
Showing posts with label Side Effects. Show all posts

Tuesday, July 2, 2013

PAUL'S 2013 MID-YEAR MOVIE RECAP

PAUL'S 2013 MID-YEAR MOVIE RECAP

I alway like to keep a running tally of all of the new movies I have taken in over the year. Whether they are the new 2013 releases, movies from the last few years I'm catching up on, or taking advantage of the old classics, I like to see how my movie watching is growing or decreasing and what the 2013 movie year is shaping up to be like. Let's see how this year has panned out so far:










The Sessions
Promised Land
Broken City
Side Effects
Amour
Take This Waltz
Beasts of the Southern Wild
Tinker Tailor Soldier Spy
Oz, The Great and Powerful
Side By Side
A Separation
Wreck-It Ralph
Compliance
Admission
The Silence
The Prodigal Son
Evil Dead
Flashdance
Days of Heavan
Jurassic Park 3D
Double Indemnity
Room 237
To the Wonder
The Place Beyond the Pines
ParaNorman
Iron Man 3
The Paperboy
The Great Gatsby
Bernie
Star Trek Into Darkness
Oblivion
Now You See Me
All Good Things
End of Watch
Lars and the Real Girl
The Way Way Back
Tucker and Dale Vs. Evil
Behind the Candelabra
Man of Steel
Beautiful Creatures
Stoker
Not Fade Away
Identity Thief
Mama

That's a total of 45 movies. Only three down from the 48 movies I saw at this point in 2012 Here's the 2012 list. In my opinion, 2013 has been kind of a dud regarding the quality of films released this year. During the springs months, there seemed to be flop after flop opening each weekend, and I just did not feel moved to waste money on a movie that did not look good just for the sake of seeing a new movie. I recently got married and went on a honeymoon, so my theater going was also put on the back burner throughout most of this past year. I turned to Netflix Streaming to catch up on some of the classics or other movies I may have missed in the past years.

Back to the films of 2013. There were some definite standouts, but overall I found myself disappointed in many movies. Evil Dead and Oz, The Great and Powerful should have been great, but I left just appauled about how bad they were. I wanted to love The Great Gatsby, but left disappointed. What's worse, a movie that is bad because it's bad or a movie that is bad when it had the potential to be oh so good?  We still have the rest of the summer blockbuster season and the fall movie calendar looks to have some great selections, so I will be curious to see if 2013 redeems itself.

Best of the 2013 Releases So Far...














The Way Way Back
Side Effects
The Place Beyond the Pines
Star Trek Into Darkness

Worst of the 2013 Releases So Far...














Evil Dead
Oz, The Great and Powerful
**Boo on Sam Raimi for BOTH of these choices

I'd love to hear your thoughts!  What are your picks for best and worst of 2013?
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Monday, February 11, 2013

Movie Review: SIDE EFFECTS

SIDE EFFECTS
Director: Steven Soderbergh
Starring: Jude Law, Rooney Mara, Channing Tatum, Catherine Zeta-Jones, Vinessa Shaw, Mamie Gummer


Steven Soderbergh has tackled such diverse subjects as airborne viruses, male stripping, casino heists, and drug trafficking. In his latest, Side Effects, he and frequent screenwriter Scott Z. Burns tackle the world of pharmaceutical companies. Emily (Mara) is thrilled that her husband Martin (Tatum) has been released from jail. Martin was taken away on their glorious wedding day for insider trading. At first life seems to be getting back to normal, but Emily's past bout with depression and anxiety seems to creep back into her life.


A work party with Martin's colleagues is more than Emily can handle. Martin realizes Emily has taken a turn for the worst. She decides to take things into her own hands by driving into the wall of a parking garage. She survives and is put into the hands of Dr. Banks (Law), a psychiatrist with his own issues in life. Banks puts her on a variety of anti-depressants and anxiety pills but none of them seem to work for her. He consults with her former shrink Dr. Victoria Siebert (Zeta-Jones) about her past and learns about a miscarriage that she has failed to mention to him. Dr. Siebert suggests a new experimental drug called Ablixa. Emily hears good things form a friend (Gummer) about it and decides to test it. Meanwhile, Dr. Banks is being paid $50,000 to be part of a study on the side effects of Ablixa. Emily believes the drug is really working for her, but Martin sees her going further down the rabbit hole.


Emily's paranoia and Dr. Bank's continual fight for her, despite the affect it has on his career and marriage, keep the focus and tension building. The movie takes some interesting turns making sure the audience is never too far ahead in the story. As soon as you think you what the film is about or where it is headed you get spun in a different direction. Many people are drawing comparisons to Hitchcock’s great thrillers. Soderbergh is not merely copying out of the Master of Suspense’s book, but using those techniques to keep the viewer guessing. A good score is vital to any thriller. Thomas Newman’s score subtly plays underneath the action leaving its presence known but without ever forcing the audience into an unwanted reaction or emotion.


Soderbergh typically uses many of the same actors from movie to movie, which I appreciate in his body of work. Law, Zeta-Jones, and Tatum are all veterans to his style of working. Rooney Mara has proven yet again that she is a force to be reckoned with. One would think that after playing Lisbeth Salander in The Girl with the Dragon Tattoo she would want a break from such heavy material. Her performance as Emily Taylor is no walk in the park. She slowly peels back the many layers of her character to keep us glued in to what her ultimate motive may be.


Soderbergh has mentioned his plans to retire and that this is his last feature film to be released in theaters. With that comes the retirement of Peter Andrews and Mary Ann Bernard. He uses those pseudonyms whenever he is the cinematographer or editor on his own movies. His Liberace biopic “Behind the Candelabra” will premiere on HBO in March. I have always been a fan of his work and appreciate his diverse and experimental approach to the films he makes. Some are big box office successes like Ocean’s 11 and Erin Brockovich while others are pure indie trials like Bubble or The Girlfriend Experience. I seem to be the only one I know to have liked Magic Mike. Side Effects is his best movie in years, and it is not to be missed if you like taught thrillers that keep you guessing.

RATING: **** 1/2 (4.5 out of 5 stars)



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