Movie Review: GODZILLA

GODZILLA
Director: Gareth Edwards
Starring: Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Juliette Binoche, Ken Watanabe, Sally Hawkins, David Strathairn

That big scaly monster has stayed dormant for too long, and now Godzilla is back to wreak havoc upon the Pacific. Seismic activity occurs around a nuclear plant near Tokyo, Japan causing a massive explosion which leads to the collapse of the plant and the area to be quarantined due to radiation. Plant supervisor Joe Brody (Cranston) feels a responsibility toward the events and tragedies that occurred on that day. Over the next fifteen years, he becomes a paranoid conspiracy theorist who believes there is more to the seismic activity than what the government is leading on to as he tries to connect it to a previous nuclear bomb that was detonated to kill Godzilla.

When he and his son Ford (Taylor-Johnson), a US NAVY officer, return to the quarantined area for more research, they are arrested and taken to a secret facility. The facility has been built around a giant chrysalis being studied by scientists Ishiro Serizawa (Watanabe) and Vivienne Graham (Hawkins). There Joe and Ford learn that not only Godzilla exists but he may not be the only creature seeking the destruction of the Pacific. I typically go into a bit more plot detail when it comes to my reviews, but I am stopping right there with Godzilla. No spoilers as it is best to just go on this high octane ride without knowing a lot about it. The less you know, the more thrilling it is!

I should say that I have never seen a Godzilla movie before. I know it is a bit shocking for a film buff to have never seen those old black and white classics, nor have I watched that Matthew Broderick remake from 1998. I hear that is completely wretched and not worth a viewing. This review comes with a fresh open mind. With an all-star cast consisting of Oscar and Emmy nominees with Bryan Cranston, Juliette Binoche, Ken Watanabe, and Sally Hawkins, I felt I could trust that if these guys were going to star in a CGI heavy monster flick, this was going to have potential. Director Gareth Edwards catapults the audience with a huge jolt early on with some shocking choices and I thought “They are going there already? Okay! I like this unexpected choice.” Some moviegoers may roll their eyes at times and think there is some over the top acting or cheap shots, but I find there is a tongue in cheek quality to it. Edwards lets his actors have fun here as they are fully aware they are making a Godzilla movie. You can’t take yourself too seriously here. Bryan Cranston plays the paranoid guy that believes something is out there. You can find this type of character in many of these types of movies. I had no problem with some of Cranston’s heightened line deliveries. This is a far cry from his character Walter White on Breaking Bad. The other characters are a bit more on the realistic side with Aaron Taylor-Johnson playing the US NAVY officer and Elizabeth Olsen playing his doting and concerned wife back at home. These two will also be appearing in Avengers: Age of Ultron next summer.

Playing off the concept of knowing what kind of film they are making, it is quite evident that the director is playing homage to Steven Spielberg films like Jurassic Park and Jaws. I would not say that Edwards is ripping Spielberg off, but learning from what he did in those films to scare the audience. Like the T-Rex and the shark, Godzilla doesn’t appear until much later on in the film. There is a buildup of suspense and tension as our title character is slowly revealed, and you hear that loud roar that rattles the walls of the movie theater you are in. This feeling is also amplified by Alexandre Desplat’s score. I was surprised to see his name down as the composer as I am more familiar with his scores for films like Philomena and The Grand Budapest Hotel, which have a very different feel to them. I feel like there are some elements of John Williams and Bernard Hermann in there with his grandiose full symphony sound.

The best way I can describe Godzilla is that it is huge just like our title character. I felt like it was a two hour roller coaster ride that never lets up. I get very critical when I feel like directors just rely on overblown CGI effects to create the story they are telling. If you need an example of this, watch The Hobbit movies versus The Lord of the Rings trilogy and see which ones look better. With Godzilla, the visual and sound effects are stunning and may be some of the best we see all summer, if not of the year. I would not be opposed to it being recognized with a few nominations from the Academy next year. This is the kind of film that you want to see on the biggest screen with the best sound system. If you live near a theater that is showing it in the in new Dolby ATMOS sound system, I cannot recommend it enough. Holy crap! You will feel like you are in the middle of the action. I did not see it in 3D, but I would be leery about. 3D typically makes the picture quality far darker than its 2D counterpart. Godzilla is already so dark at times that the 3D could muddle that even further. It’s nice to see a monster movie back on the big screen that is done correctly. It should be no surprise that a sequel is already in the works.

Is it worth your trip to the movies? Godzilla will be one of the best films of the summer. This is the type of movie that defines the idea of a summer blockbuster popcorn flick.

RATING: 4 out of 5 Ticket Stubs

Movie Review: BLUE JASMINE

BLUE JASMINE
Writer/Director: Woody Allen
Starring: Cate Blanchett, Alec Baldwin, Sally Hawkins, Andrew Dice Clay, Louis C.K., Bobby Cannavale, Peter Sarsgaard, Michael Stuhlbarg

Cate Blanchett. Cate Blanchett. Cate Blanchett. She has portrayed Elizabeth I, Katherine Hepburn, Bob Dylan, Galadriel the Elf, and was the object of Judi Dench's affection. All fantastic performances, yet one of the most riveting portrayals comes in Woody Allen's latest, Blue Jasmine. Jasmine (Blanchett) is trying to start a new life. She leaves New York and moves to San Francisco to live with her sister, Ginger (Hawkins). They are both adopted and could not be any more different. Ginger believes Jasmine was always the favorite daughter as she was the pretty one.

Jasmine's life has been turned upside down. Her husband Hal (Baldwin) was a wealthy businessman who was caught in embezzlement and fraud. Hal and Jasmine had more money than they knew what to do with, but it was dirty money that was not really theirs in the first place. Jasmine, of course, was oblivious to what was really going on. She was a socialite that had all of the designer clothes, numerous houses, and had all the time in the world for dinner parties, yoga, and pilates classes. It all came crashing down leaving Hal in jail and Jasmine left with “nothing” so she claims. Ginger quickly points out the fact that she still has her collection of Louis Vitton luggage and somehow flew first class to get to San Francisco.

Ginger lives a much simpler and cheaper life. She bags groceries for a living and has two sons from her ex-husband Augie (Dice Clay). Always one to be dating and flirting, she is now dating a younger brutish guy named Chili (Cannavale). It doesn't take long for Chili to come to Ginger's defense and question Jasmine's motives. She had practically ignored her sister and now that she is broke she swoops in to live with her and ask for her help. Jasmine needs all the help she can get as she has suffered a nervous breakdown and has begun talking to herself due to the fall of her marriage and lifestyle.

I would like to think of myself as a pretty big Woody Allen fan. I own a majority of his work and Annie Hall sits at #7 on my Top 10 list. Not many writer/directors, outside of say Tyler Perry, pop out a new film every year. I do admit that he does have his faults and some of his movies are not great. That’s what happens after fifty years in the business. Not all of them can be cinematic masterpieces. When you meet a Woody Allen fan, they will have their favorite decade or set of themes. I am more likely to pop in one of his more physical comedies of the ‘70s any day of the week before the majority of the ones that came in the 2000s era. Some love his more existential films of the ‘80s. Lately when his movies work, they really work like Midnight in Paris. If they flop, they really flop. Blue Jasmine really works on so many levels.

Allen’s script is one of the most well-rounded, dimensional, thought-proving pieces he has written in quite some time. There is no denying that there are parallels between this and “A Streetcar Named Desire” and the fall of Bernie Madoff. Many of his films lately have only seen the characters as they are in the short time frame of that story. We see the characters of Blue Jasmine throughout an extended period of time as the film shifts between Jasmine’s current life in San Francisco and the extravagant life she led in New York. It reminded me of Annie Hall in its non-linear approach. We get inside the turmoil and frustration that the fall of Hal had on all of our characters, not just Jasmine. How long can you stay happy in a delusional world? What happens when the truth is exposed and it all comes crashing down on you?

Allen has created some fantastic characters over the years leading to great material for many of his actors. Dianne Wiest, Michael Caine, Mira Sorvino, Diane Keaton, and Penelope Cruz have all won Oscars playing some of Woody's characters. Blue Jasmine is no exception. The whole cast is fantastic. I have heard that his direction is simple with very few takes, but he gets such rich performances out of his actors. Is that the writing, directing, or the actors giving it all their own on their own doing? I guess it is a mix of each. There is not one phoned in performance with each actor giving their A-game. Allen has given each one of them moments to shine. Andrew Dice Clay is known more for his stand-up routine, but I hope he is given more acting opportunities after this. He gives a very real and honest performance that is completely reigned in and far different than you would expect from his comedic persona. I am slightly embarrassed to say that I have not seen enough of Sally Hawkins' work before. Cate Blanchett may be getting all of the attention for her performance, but Hawkins is just as heartbreaking, genuine, and flawed. Can we start mentioning how great Hawkins is at the same time we talk about how great Blanchett is?

I would be highly surprised if Blanchett is not nominated for an Oscar for her work here. I've been throwing around the "O" word quite a bit lately in my reviews. I guess we are getting into that season. Every moment Blanchett is on screen, she is captivating. I could not stop watching every little move or vocal choice she made. I was enamored whenever Jasmine would talk out loud to herself or carry on conversations with full strangers. I have witnessed many people doing this throughout my years of working downtown. She makes so many specific and intricate choices to showcase the wide range of Jasmine between high socialite to post nervous breakdown to her trying to get better and make better choices. The film has another "A Streetcar Named Desire" connection as Blanchett has played Blanche DuBois on stage. You know how they always show a scene from a movie when they announce each nominee? There are plenty of scenes to choose from as the "Oscar telecast" scene to show off her brilliant performance.

There are plenty of people who have written off Woody Allen saying he is past his prime or they cannot put aside his personal life. I think the naysayers would be surprised and pleased with his latest. It is one of his strongest films in quite some time. It is not a straight up comedy with the typically Woody Allen neurotic banter, but the film is still funny at times at how shockingly delusional these characters can be. The humor is mixed in to off-set the sadness and uncomfortable moments that come with Jasmine's pain. Blue Jasmine has the depth that many Allen films of late have been missing.

RATING: **** 1/2 (4.5 out of 5 stars)