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Established May 2010.


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Film Critic for Twin Cities Live

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Showing posts with label John Carpenter. Show all posts
Showing posts with label John Carpenter. Show all posts

Thursday, October 24, 2013

"Halloween" Retrospective: HALLOWEEN III: SEASON OF THE WITCH (1982)

HALLOWEEN III: SEASON OF THE WITCH (1982)
Director/Writer: Tommy Lee Wallace
Starring: Tom Atkins, Stacey Nelkin, Dan O’Herlihy, Nancy Kyes


A.K.A. The Halloween movie without Michael Myers. WHAAAAAATTTTTTT??? I'll get to that in a bit.

A deranged man clutching a Halloween mask announces “They’re coming. They’re coming” as he collapses into a gas station. The mask is from Silver Shamrock Novelties shop whose ads are running nonstop on television as a countdown to Halloween. They are quite creepy and disturbing. He is brought to the hospital where he is placed under the care of Dr. Andrew Challis (Atkins). The next string of events involving the patient put Dr. Challis on high alert.


He can’t seem to shake what happened to his patient and is also being bombarded by the Silver Shamrock masks everywhere he turns. He teams up with the man’s daughter Ellie (Nelkin) to trace the steps leading up to his death. This brings them to Santa Mira, California where the masks are manufactured. The town has that eerie feeling where everyone seems to look a bit odd, they stare at you when you arrive, and believe you are up to no good. He finds out the town and the factory are under the control of Conal Cochran (O’Herlihy). They grow even more suspicious after the death of a hotel guest. What they don’t know is that her death was caused by one of the masks. A group of Cochran’s men pick her body up and take her to the Silver Shamrock factory. Inside the factory lies a nightmare that Challis and Ellie could not have imagined.


Like I previously mentioned, this is not a continuation of the Michael Myers storyline. No Michael, Laurie Strode, or Dr. Loomis will be found. John Carptener and Debra Hill thought a different type of story/nightmare involving Halloween night would be fun. They thought if the movie did well they would release a different type of Halloween themed movie each year. Hill envisioned something involving witchcraft and the computer era would be an interesting concept. She brought in Tommy Lee Wallace who was involved with the first film to direct the movie. Wallace is credited as the sole screenwriter but that is only partially accurate. Writer Nigel Kneale wrote the first draft of the script but wanted his name taken off of the film. Carpenter and Wallace went on to do numerous rewrites. Many others behind the first two films decided to come back as well. Dean Cundey returned as director of photography. Irwin Yablans and Moustapha Akkad are credited as executive producers. Yablans acknowledges he had no involvement in the movie despite his name being in the credits. He thought it was a terrible choice to deviate from the Michael Myers storyline. You may notice a few other connections to the first movie. Nancy Kyes who plays the wife to Dr. Challis played Annie in the first one. Halloween can be seen on TV when Dr. Challis is at the bar flipping channels as well as later in the movie.


The story has some interesting concepts that give it some potential. Like how we saw with Michael Myers, masks can be creepy. Movies with small town conspiracies can be frightening. However, I am not sure if I would claim that this is overly scary. It does have its cringe worthy moments and gruesome deaths. I was definitely squirming in my seat at one point. I’m warning you now if you have a fear of snakes like I do. Ick. The overall execution of the story and some of the reveals take it to a hokey and silly level, which really bring down the quality of the film. The Silver Shamrock commercial set to the tune of “London Bridge is Falling Down” will get stuck in your head and you may forever think of this when you hear that melody.


Many disregard this film and do not typically associate it with the franchise as it is missing the Michael Myers storyline. I do wonder if it were to have dropped "Halloween" from its title if it would have faired better or even worse. I think many people probably saw this picture in the first place due to the Halloween name. Would as many people have seen it at all if it had been named “Season of the Witch”? Would people enjoy it better if it wasn’t associated with the franchise? Does the lack of Michael completely kill this movie from any sort of warm response? I think it would take numerous viewings and a very clear mental disconnect to the franchise in order to really appreciate this third one.

RATING: * 1/2 (1.5 out of 5 stars)

My Ranking of the Franchise
1. HALLOWEEN (1978
2. HALLOWEEN II (1981)
3. HALLOWEEN III: SEASON OF THE WITCH (1982)

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Wednesday, October 23, 2013

"Halloween" Retrospective: HALLOWEEN II (1981)

HALLOWEEN II
Director: Rick Rosenthal
Written by John Carpenter and Debra Hill
Starring: Jamie Lee Curtis, Donald Pleasance, Charles Cyphers, Pamela Susan Shoop, Dick Warlock


Even though it was released three years after the first film, the story picks up toward the ending of the first film when Laurie Strode tells Lindsay and Tommy to go get help at the McKenzie’s house. Despite being shot numerous times by Dr. Sam Loomis (Pleasance), Michael Myers (Warlock) has survived and is “on the loose”. The infamous John Carpenter score takes over as the opening credits roll. Laurie has survived the horror after being stabbed in the chest by Michael and is being taken to Haddonfield Memorial Hospital. Try not to roll your eyes too much at the very obvious wig Jamie Lee Curtis is now wearing.


News breaks that numerous teens have been murdered in Haddonfield, and the town goes on high alert. Dr. Loomis and Sheriff Brackett (Cyphers) take to the streets to continue their search for Michael. Blame is quickly put on Dr. Loomis as Michael was his patient and is now missing. No one knows what Michael looks like and with his mask on, he blends in with every other person walking the streets. You would think his creepy head tilts and slow walk would scare some people. Michael heads toward the hospital to continue his attack on Laurie.


These first two Halloween films are not just about Laurie Strode as a victim, but also focuses on Dr. Loomis and his relationship with Michael. Both the first film and now the sequel pay close attention to the relationship Michael has with both of these people. If you have never seen the first one, it accomplishes the obligatory recapping of the events and details of who Michael Myers is and what happened when he was a little boy. Horror sequels sometimes become origin stories and sometimes hidden truths about a killer get revealed. Halloween II takes a deeper look into history of Michael Myers and answers the question of why he is after Laurie Strode. I am obviously not going to reveal that here!


Director Rick Rosenthal, with help of Hill and Carpenter, tries to make the sequel have the style and feel of the first Halloween. Some of that attempt works well while some of the other approaches to the sequel really miss the boat and ignore what made the first film so eerie and haunting. Some of the earlier scenes are shot through the eyes of Michael Myers, which is how the first film starts and gives us the unique “through the killers eyes” perspective. The deaths are far more gruesome as he uses more than just his butcher knife on his victims. Michael adds hospital tools to his repertoire of killing devices. I personally think he should just stick to his large kitchen knife. It’s his signature weapon!


The script just is not up to par with the original. Debra Hill wrote some fantastic dialogue in the first film for all of the supporting players making those characters memorable. Much of that is missing here and we are reduced down to numerous hospital workers as supporting players which makes each death less personal. Even Jamie Lee Curtis is left mostly mute and traumatized without much to do except hobble around the hospital. She does a fantastic job, don’t get me wrong.


I remember watching Halloween II first before seeing any of the other movies in the franchise. I think I was around twelve or thirteen years old at the time. My parents never let me watch rated-R movies, let alone horror movies, at that age. I was spending the weekend at my friends Brad and Brett’s house, and they were allowed to watch those types of movies. Needless to say, I took full advantage of the situation. Isn't that what you’re supposed to do at a slumber party? We went to a haunted mansion earlier in the evening and then rented Halloween II from the video store. I cannot remember the circumstances of why we got the second one over the first one. Maybe the first one was checked out at the time. This started my never-ending love of the Halloween series. A couple of years later, I rented the first one which then cemented my continual fascination of Michael Myers.

RATING: *** (3 out of 5 stars)

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Tuesday, October 22, 2013

"Halloween" Retrospective: HALLOWEEN (1978)

This review was originally posted October 2012, but I have added some updates regarding the 2013 35th Anniversary Blu-Ray release

HALLOWEEN (1978)
Director: John Carpenter
Starring: Jamie Lee Curtis, Donald Pleasance, P.J. Soles, Nancy Loomis, Kyle Richards, Brian Andrews, Nick Castle



"I met this six-year-old child, with this blank, pale, emotionless face and, the blackest eyes... the devil's eyes."

A simple score of just a couple of notes plays as the opening credits roll.  The audience can start to feel the tension for the movie that is about the start.  Don’t let a simple score fool you.  The John Carpenter penned theme perfectly sets the mood for the opening sequence.  The camera is eye level for someone’s point of view, but we do not see who this character is.  He watches two teenagers run upstairs giggling as they are about to have sex.  We see a hand reach into a kitchen drawer and pull out a big butcher knife.  The figure continues to walk around the house and picks up a clown mask.  He puts it on and now the audience has the limited vision of our figure.  He  proceeds to stab the teenage girl numerous times as she yells, “Michael!”.  After the figure is outside and sees the parents, they lift up the mask.  It is revealed that our figure is a six year old boy named Michael Myers who has just killed his sister, Judith.  The night was October 31, 1963.




Fifteen years pass and on October 30, 1978 Dr. Sam Loomis (Pleasance) pulls up to check in on his patient, Michael Myers, at Smith’s Grove Sanitarium.  He has not spoken in these fifteen years.  This night will forever change history for our tragic characters as Michael escapes Smith’s Grove.  Dr. Loomis watches him escape but cannot catch him in time.  He knows Michael all too well and knows he is headed back to his home of Haddonfield.  Dr. Loomis tries to convince the deputies of Haddonfield that Michael is a force that cannot be taken lightly.   

“You've got to believe me, Officer, he is coming to Haddonfield... Because I know him! I'm his doctor! You must be ready for him... If you don't, it's your funeral.”



The infamous Myers house has now been vacant and is on the market by Strode Realty.  The realtor’s daughter, Laurie Strode (Curtis), is our heroine.  Laurie and her friends Annie (Loomis) and Lynda (Soles) walk home after school on Halloween and discuss their evening plans.  Laurie must spend the evening babysitting little Tommy Doyle (Andrews).  Annie is babysitting across the street from the Doyle’s for Lindsay Wallace (Richards).  Lynda is the lucky one that gets to screw around with her boyfriend.  The evening starts off a little eerie for Laurie.  She is convinced she sees someone by the bushes and standing in her backyard.  Annie simply tells her she's a "wacko".  There is a break-in at the hardware store and Annie’s dad, Sheriff Bracket, tells the girls that it is probably a bunch of kids screwing around on Halloween night.  Laurie passes the majority of evening entertaining Tommy by carving Jack-O-Lanterns and watching scary movies on TV.  As the night progresses, Tommy is determined that he sees the Boogeyman outside.  Laurie tells him there is no such thing as the Boogeyman.  After Annie and Lynda go missing in action, she knows someone is definitely lurking around the neighborhood.



John Carpenter was a young filmmaker right out of USC film school when he made the movie.  He had his hand in every aspect of the film.  Not only did he direct the movie and compose it, he co-wrote the screenplay with his then girlfriend and producing partner Debra Hill.    They originally titled the screenplay “The Babysitter Murders”.    He said he would make the movie with an insanely small budget of $300,000 which was actually considered too small of a budget for the time.  Many actors wore their old clothing in the movie to help keep within that modest price tag.  He fashioned himself like many of his heroes like Howard Hawks and Billy Wilder, so he wanted his name above the credits to prove himself to the industry.  It was a pretty risky thing to ask from someone so young and inexperienced.  The movie originally opened to fairly bad reviews, but audiences flocked to it.  The fan base grew and grew with each week it was in theaters. 



Halloween was groundbreaking for the time period and for independent movies.  It paved the way for future slasher movies like Friday the 13th, A Nightmare on Elm Street, and Scream.  Kevin Williamson wrote many references in his Scream screenplay to Halloween going so far as to have the characters watch the movie and the action of the movie mirror the action in Halloween.  His character Billy Loomis is named after Donald Pleasance's character.  Seven sequels and two remakes came to follow over the years following Laurie Strode or her daughter Jamie Lloyd.  Donald Pleasance would continue to play Dr. Loomis for Halloween II, 4, 5, and 6.  Jamie Lee Curtis would return for the sequel Halloween II as well as reviving the character 20 years later in Halloween H20 and finally killing her off in Halloween: Resurrection.  Rob Zombie wrote and directed both remakes that focused on the back story of Michael Myers and how he became a six-year-old killer.  Don't look for Michael in Halloween III: Season of the Witch.  Carpenter and Hill wanted to tell a different type of story.  The film was widely panned and Michael was brought back for each sequel after that.



I think the movie is a perfect example of the idea where "less is more" in regards to how you go about scaring the audience.  Nick Castle, who plays Michael, moves very slowly and typically just tilts his head giving him very minimal emotion.  You do not know why he kills his sister or why he is after Laurie.  Those reasons come in the sequel.  He is just this mysterious force lurking around.  Laurie seems to be the only one that sees him throughout the beginning of the movie.  Take notice of how little blood is actually used in the movie.  Current slasher movies, including the Halloween remakes, use copious amounts of blood thinking that idea makes the movies scarier.  I disagree.  The movie is lit perfectly giving off the eeriness that is Michael Myers.  His dark presence is always felt no matter if he is in the background or in fore front of shot especially during the nighttime sequences.  Sometimes you can only see his mask or the outline of his frame.  Carpenter's minimalist score elevates the thrills.  Between the opening theme or the slow tones used as he is approaching, it makes the movie even scarier.  The score is one of the best horror scores since Bernard Hermann's Psycho theme.  You cannot help but think of Michael Myers whenever you hear the score.



No matter how many times I have watched Halloween, it never gets old.  I am pretty sure I have watched it every Halloween season as well as numerous times throughout the year ever since I was a teenager.  Along with Hocus Pocus, it is a staple and must be watched.  I will even sit down and watch the many sequels.  There have been numerous behind-the-scenes retrospectives made over the years when the 20th, 25th, and 30th anniversaries happened.  I have seen all of those as well.  The movie was restored and shown in theaters again for one night only on October 30, 2012.  It was great to finally see it on the big screen for the first time.  There were little touches that I hadn't picked up on before.  I was still a little tense during moments despite knowing every line of dialogue and knowing exactly when and how the kills happen. 

Laurie: Was it the boogeyman?
Dr. Sam Loomis: As a matter of fact, it was.


2013 Updates regarding the 35th Anniversary Blu-Ray release:
-All new HD transfer supervised and approved by cinematographer Dean Cundey. The picture quality looks better than ever. I am so used it looking a bit grainy, so it is quite stunning in its HD state.

-Brand New Audio Commentary from John Carpenter and Jamie Lee Curtis. Curtis and Carpenter go into quite lengthy detail about a lot of the filming process. Fans will get a kick out of the them discussing how they shot the whole beginning sequence. Curtis seems to remember so many minute details and Carpenter can really only remember the bigger aspects or things specifically related to his involvement.

-The Night She Came Home!! documentary follows Jamie Lee Curtis and other cast members as they attend a Horror Hound Halloween convention. Curtis never attends conventions but agreed to do this one as all proceeds went to Children’s Hospital Los Angeles.

-On Location: 25 years Later is a behind the scenes look at the making of the film and the shooting locations of many of the infamous scenes. John Carpenter and Debra Hill wanted a very natural realistic feel to the neighbor so everything was shot in real neighborhoods. Actress P.J. Soles (Linda) goes to back to these original filming locations to see what the houses, store fronts, and neighborhood look like today.

-TV Version Spots: scenes only used in the televised version of the movie. One of them is an extensive scene of Sam Loomis at Smith’s Grove Penitentiary, visiting Michael in his room, and seeing the destruction Michael had on the hospital.

-Trailer, TV & Radio Spots

RATING: ***** (5 out of 5 stars)

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Wednesday, October 31, 2012

Movie Rewind: HALLOWEEN

HALLOWEEN (1978)
Director: John Carpenter
Starring: Jamie Lee Curtis, Donald Pleasance, P.J. Soles, Nancy Loomis, Kyle Richards, Brian Andrews, Nick Castle


"I met this six-year-old child, with this blank, pale, emotionless face and, the blackest eyes... the devil's eyes."

A simple score of just a couple of notes plays as the opening credits roll. The audience can start to feel the tension for the movie that is about the start. Don’t let a simple score fool you. The John Carpenter penned theme perfectly sets the mood for the opening sequence. The camera is eye level for someone’s point of view, but we do not see who this character is. He watches two teenagers run upstairs giggling as they are about to have sex. We see a hand reach into a kitchen drawer and pull out a big butcher knife. The figure continues to walk around the house and picks up a clown mask. He puts it on and now the audience has the limited vision of our figure. He proceeds to stab the teenage girl numerous times as she yells, “Michael!”. After the figure is outside and sees the parents, they lift up the mask. It is revealed that our figure is a six year old boy named Michael Myers who has just killed his sister, Judith. The night was October 31, 1963.


Fifteen years pass and on October 30, 1978 Dr. Sam Loomis (Pleasance) pulls up to check in on his patient, Michael Myers, at Smith’s Grove Sanitarium. He has not spoken in these fifteen years. This night will forever change history for our tragic characters as Michael escapes Smith’s Grove. Dr. Loomis watches him escape but cannot catch him in time. He knows Michael all too well and knows he is headed back to his home of Haddonfield. Dr. Loomis tries to convince the deputies of Haddonfield that Michael is a force that cannot be taken lightly.

“You've got to believe me, Officer, he is coming to Haddonfield... Because I know him! I'm his doctor! You must be ready for him... If you don't, it's your funeral.”


The infamous Myers house has now been vacant and is on the market by Strode Realty. The realtor’s daughter, Laurie Strode (Curtis), is our heroine. Laurie and her friends Annie (Loomis) and Lynda (Soles) walk home after school on Halloween and discuss their evening plans. Laurie must spend the evening babysitting little Tommy Doyle (Andrews). Annie is babysitting across the street from the Doyle’s for Lindsay Wallace (Richards). Lynda is the lucky one that gets to screw around with her boyfriend. The evening starts off a little eerie for Laurie. She is convinced she sees someone by the bushes and standing in her backyard. Annie simply tells her she's a "wacko". There is a break-in at the hardware store and Annie’s dad, Sheriff Bracket, tells the girls that it is probably a bunch of kids screwing around on Halloween night. Laurie passes the majority of evening entertaining Tommy by carving Jack-O-Lanterns and watching scary movies on TV. As the night progresses, Tommy is determined that he sees the Boogeyman outside. Laurie tells him there is no such thing as the Boogeyman. After Annie and Lynda go missing in action, she knows someone is definitely lurking around the neighborhood.


John Carpenter was a young filmmaker right out of USC film school when he made the movie. He had his hand in every aspect of the film. Not only did he direct the movie and compose it, he co-wrote the screenplay with his then girlfriend and producing partner Debra Hill. They originally titled the screenplay “The Babysitter Murders”. He said he would make the movie with an insanely small budget of $300,000 which was actually considered too small of a budget for the time. Many actors wore their old clothing in the movie to help keep within that modest price tag. He fashioned himself like many of his heroes like Howard Hawks and Billy Wilder, so he wanted his name above the credits to prove himself to the industry. It was a pretty risky thing to ask from someone so young and inexperienced. The movie originally opened to fairly bad reviews, but audiences flocked to it. The fan base grew and grew with each week it was in theaters.


Halloween was groundbreaking for the time period and for independent movies. It paved the way for future slasher movies like Friday the 13th, A Nightmare on Elm Street, and Scream. Kevin Williamson wrote many references in his Scream screenplay to Halloween going so far as to have the characters watch the movie and the action of the movie mirror the action in Halloween. His character Billy Loomis is named after Donald Pleasance's character. Seven sequels and two remakes came to follow over the years following Laurie Strode or her daughter Jamie Lloyd. Donald Pleasance would continue to play Dr. Loomis for Halloween II, 4, 5, and 6. Jamie Lee Curtis would return for the sequel Halloween II as well as reviving the character 20 years later in Halloween H20 and finally killing her off in Halloween: Resurrection. Rob Zombie wrote and directed both remakes that focused on the back story of Michael Myers and how he became a six-year-old killer. Don't look for Michael in Halloween III: Season of the Witch. Carpenter and Hill wanted to tell a different type of story. The film was widely panned and Michael was brought back for each sequel after that.


I think the movie is a perfect example of the idea where "less is more" in regards to how you go about scaring the audience. Nick Castle, who plays Michael, moves very slowly and typically just tilts his head giving him very minimal emotion. You do not know why he kills his sister or why he is after Laurie. Those reasons come in the sequel. He is just this mysterious force lurking around. Laurie seems to be the only one that sees him throughout the beginning of the movie. Take notice of how little blood is actually used in the movie. Current slasher movies, including the Halloween remakes, use copious amounts of blood thinking that idea makes the movies scarier. I disagree. The movie is lit perfectly giving off the eeriness that is Michael Myers. His dark presence is always felt no matter if he is in the background or in fore front of shot especially during the nighttime sequences. Sometimes you can only see his mask or the outline of his frame. Carpenter's minimalist score elevates the thrills. Between the opening theme or the slow tones used as he is approaching, it makes the movie even scarier. The score is one of the best horror scores since Bernard Hermann's Psycho theme. You cannot help but think of Michael Myers whenever you hear the score.


No matter how many times I have watched Halloween, it never gets old. I am pretty sure I have watched it every Halloween season as well as numerous times throughout the year ever since I was a teenager. Along with Hocus Pocus, it is a staple and must be watched. I will even sit down and watch the many sequels. There have been numerous behind-the-scenes retrospectives made over the years when the 20th, 25th, and 30th anniversaries happened. I have seen all of those as well. The movie was restored and shown in theaters again for one night only on October 30, 2012. It was great to finally see it on the big screen for the first time. There were little touches that I hadn't picked up on before. I was still a little tense during moments despite knowing every line of dialogue and knowing exactly when and how the kills happen.

Laurie: Was it the boogeyman?
Dr. Sam Loomis: As a matter of fact, it was.


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