A BLOG DEDICATED TO MY LOVE OF THE SILVER SCREEN
Established May 2010.


Gordie: Do you think I'm weird?
Chris: Definitely.
Gordie: No man, seriously. Am I weird?
Chris: Yeah, but so what? Everybody's weird.
-STAND BY ME

Film Critic for Twin Cities Live

Member of THE LAMB: The Large Association of Movie Blogs LAMB #1588

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Showing posts with label Christopher Meloni. Show all posts
Showing posts with label Christopher Meloni. Show all posts

Wednesday, August 27, 2014

Movie Review: SIN CITY: A DAME TO KILL FOR

SIN CITY: A DAME TO KILL FOR
Director: Frank Miller, Robert Rodriguez
Starring: Eva Green, Josh Brolin, Mickey Rourke, Jessica Alba, Bruce Willis, Powers Boothe, Joseph Gordon-Levitt, Christopher Meloni, Jeremy Piven, Christopher Lloyd, Dennis Haysbert


The violence and bloodshed is always high in the corrupt underworld of fictional town Basin City. Like its predecessor, the film is composed of various vignettes with some characters overlapping from one story to the next. Nancy (Alba) is an exotic dancer at Kadie’s Saloon and is severely damaged after the death of her lover John Hartigan (Willis). She plans on seeking out revenge on Senator Roark (Boothe) who was involved in his death. Marv (Rourke) is a regular at Kadie’s and keeps a steady eye on Nancy. He has his own issues and is someone you don’t want to mess with in a dark alley. Johnny (Levitt) is a hot-shot gambler who never loses. Let’s just say that after winning against Senator Roark, he needs to watch his back. The title storyline involves Dwight (Brolin) who is caught in a web of mysterious torture when his former flame Ava (Green) shows up and begs for forgiveness. She can’t escape from his head, and yet again, he is lured into her deceitful ways. What he doesn’t know is that she may have ulterior motives.


Nine years have passed since the release of the first film which was an adaptation of the popular Frank Miller graphic novel. He has teamed up again with director Robert Rodriguez for a follow-up that has been in the works since the first one was released. Back then, Angelina Jolie was being considered for the lead role. The first film was groundbreaking in its approach with using the digital effects and colorization techniques to effectively recreate Miller’s work into a different medium. Many frames in the movie were identical to the way they were illustrated in the novel. The same look and feel accompanies this film, but it doesn’t quite have that same dynamic punch that the first one had due to the fact that we now have already seen it used and have seen other movies attempt it as well. There is also a consistency issue here where I don’t feel like Rodriguez or Miller took the time to really craft each scene using this technique. They used up a majority of their energy on the opening sequence and some of the more action heavy scenes, but neglected the more dialogue filled scenes. It’s the kind of effect that really pops and is visually stunning when it’s used, but it is clearly evident and sorely missed when it’s not added in. It’s very rare when I endorse 3D, but it really enhances the effects here and really brings Miller’s vision to life as you witness the artwork and storyboards coming off the page.


Miller adapted some of his older stories for this film and wrote two new ones in addition. It’s pretty imperative to watch the first film before seeing this one. Even if you’ve seen it before, give it another viewing before watching the sequel. We have many returning characters as well as new ones with direct references to what happened in the first movie. For instance, Jessica Alba’s Nancy storyline is a continuation of her story in the first one. Josh Brolin’s Dwight storyline acts as a prequel with him playing the younger version of the same character Clive Owen previously played. If I hadn’t read about this before seeing the movie, I might not have picked up on it. Rodriguez is billed as having shot and cut the film, and I think the sequencing of it all is oddly structured. We get introduced to the Marv, Johnny, and Nancy plots in the beginning and then it shifts to tell the whole story of Dwight/Ava and then it goes back to finish those first few stories we were introduced to. It feels too choppy and inconsistent without it feeling as cohesive as the first movie.


It is fun seeing a majority of the original cast come to play their corrupt and flawed characters. Some roles have been recast. Dennis Haysbert takes over the role of Manute, Ava’s bodyguard, who was previously played by Michael Clarke Duncan. Jeremy Piven fills Michael Madsen’s shoes as Bob. I don’t know how the directing duties were split up between Rodriguez and Miller, but the acting is a bit inconsistent at times. I found it odd that all of the men spoke in this slow, deep, mysterious tone that is very repetitive after a while. There was no real variety in their vocal tone. At the same time, some actors are having a devilishly good time and are definitely playing into the comic book nature of the material. Green, Rourke, and Boothe are the definite stand-outs. Green is sultry, sexy, and nude a majority of the movie. Boothe is as diabolical as always as Senator Roark. I am a big fan of his and have seen him in numerous film and television roles, and he is always playing the evil and corrupt bad guy. I honestly don’t think I’ve ever seen him play a gentle, loveable character. He’s so great at being these brutal characters, but I’d love to see him do a complete 180 next time. The scene-stealer belongs to Christopher Lloyd. Yes, that Christopher Lloyd, the genius that never seems to work anymore. He shares a funny scene with Joseph Gordon-Levitt. If you are in your early 30s, like yours truly, you may get a kick out the fact that this is a mini Angels in the Outfield reunion from when Gordon-Levitt was a child actor. My brother and I grew up on that movie!


It’s hard not to leave the movie and have that feeling like this sequel has come out a bit too late. The first movie came out before the superhero/comic book movie trend really took off. It was groundbreaking in its approach to the style and vision of Miller’s world. Sin City: A Dame to Kill For is, by no means, a bad movie, but there is a bit of a disappointment that it just isn’t as good as the first one. It is still fun to watch the visuals and wonder how they shot all of it. It has a great ensemble as some of the characters are wickedly juicy. I am curious if fans will either be severely disappointed or like it just enough because they enjoy Miller’s work and style. I don’t believe it will gain the attention of any newbies

Is It Worth Your Trip to the Movies? If you loved the first one, you will like this one.

RATING: 3 out of 5 TICKET STUBS

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Sunday, June 23, 2013

Movie Review: MAN OF STEEL

MAN OF STEEL
Director: Zach Snyder
Starring: Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe, Kevin Costner, Diane Lane, Laurence Fishburne, Christopher Meloni, Richard Schiff


One of the most highly anticipated movies of 2013 is Man of Steel, the latest take on DC Comic's Superman. 2006's Superman Returns sought out to be a return to the franchise. After a chilly reception of the oddly cast film, the franchise was dead in the water again. Fresh off The Dark Knight Trilogy, screenwriter David S. Goyer and producer Christopher Nolan give us their take on the DC Comic superhero.

The planet Krypton is in grave danger. Jor-El (Crowe) fears the take over by General Zod (Shannon) and his followers will lead to its complete destruction. In order to save his newly born son Kal-El, he launches him off in a pod headed toward Earth. Jor-El infuses his son's body with a genetic code that will in turn preserve the Kryptonian race. Zod witnesses the escape of Kal-El and claims, "I will find him!" vowing to one day get his hand on the genetic code.
Kal-El is rescued and raised by Jonathan (Costner) and Martha (Lane) Kent in Smallville, Kansas. At a young age, he realizes that he is different than the other kids in his class. The Kryptonian genetic codes have given him a super strength and speed that he struggles to understand. He wants to use his abilities to help others, but is advised by his father to keep them harnessed for a later date. If the world finds out how special he is, they will only use it against him. Clark (Cavill) finds it harder to sustain his powers as an adult. He works odd jobs, lives in various places, and uses different names to stick to a mysterious life. He risks his true identity after rescuing workers near an Arctic plant. An archaeological dig has discovered space crafts that have been buried for thousands of years. Daily Planet reporter Lois Lane (Adams) has been sent in to cover the discovery but turns her fascination toward Clark. The discovery of the spacecrafts marks the return of General Zod who has finally found Clark.

Previous Zach Snyder (Watchmen, 300) films have had similar issues with structure regarding the action versus character development. Man of Steel falls into that trap. The story digs into the origins of the Kal-El/Clark Kent/Superman story. You will not find Lex Luthor or Jimmy Olson in this version. One would think that an origins story would enrich the characters we know and love. I feel like the best scenes in the movie involve Clark, Jonathan, and Martha. There is a humanity and warmth to them that make the origins story more credible as Clark learns how to deal with his inner struggles. Unfortunately, the story should have utilized more of these scenes in the beginning and middle sections to further the origins story line instead of treating them like flashbacks. Lois Lane is given a different spin on how she approaches Clark Kent and Superman. Amy Adams portrays her as a tougher, no-nonsense reporter over the ditsy damsel in distress type character. Henry Cavill fills out that Superman suit very well, but stays pretty brooding throughout most of the film. The script does not give him enough to play around with in this portion of the story. I have faith he will only get better with each film as he settles into the different mindsets of Clark Kent versus Superman. The film seems to rely too heavily on cutting to the action sequences and the need for the Superman costume before delving into the heart of these characters. The audience sees the suit pretty early on in the film, and he stays in combat mode the majority of the movie.

I had high hopes knowing that David S. Goyer and Christopher Nolan were involved. I am a massive fan of The Dark Knight Trilogy, so I was hoping for that same feel and tone. This is by no means a bad film. It has that first movie in a series syndrome where the filmmakers want to kick the series off into high gear with big action sequences but neglect key elements and flow of making it a standalone film. The ending of the movie is sure to please fans as it sets up the next installment well. You get the sense that the actors will really be able to play around more with their characters. I wish we would have seen more of that in this movie instead of waiting for the next.


RATING: *** 1/2 (3.5 out of 5 stars)

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Tuesday, December 11, 2012

Movie Trailer: MAN OF STEEL

MAN OF STEEL


Director: Zach Snyder
Starring: Henry Cavill as Clark Kent/Superman
Amy Adams as Lois Lane
Kevin Costner as Jonathan Kent
Diane Lane as Martha Kent
Russell Crowe as Jor-El
Michael Shannon as General Zod
Laurence Fishburne as Perry White
Christopher Meloni as Colonel Hardy



By the looks of the trailer, the upcoming Superman movie Man of Steel looks to be an origins story. Fans of the series did not have a warm reaction towards the last movie, 2006's Superman Returns, for numerous reasons. I myself did not appreciate the casting of Kate Bosworth as Lois Lane. Audience members should be relieved because the movie looks to be in good hands with Zach Snyder (300, Watchmen) behind the camera with Christopher Nolan (The Dark Knight trilogy) producing the movie. The script is by David S. Goyer who previously co-wrote the stories for The Dark Knight trilogy so hopefully that means a strong story. If all goes well, I would not be surprised if the series is rebooted and this turns into the next big trilogy.

Release Date: June 14, 2013

Feel free to sound off below with your comments on Man of Steel. Will you be there at a midnight screening? Opening weekend? Dollar theater?

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