A BLOG DEDICATED TO MY LOVE OF THE SILVER SCREEN
Established May 2010.


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Chris: Definitely.
Gordie: No man, seriously. Am I weird?
Chris: Yeah, but so what? Everybody's weird.
-STAND BY ME

Film Critic for Twin Cities Live

Member of THE LAMB: The Large Association of Movie Blogs LAMB #1588

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Showing posts with label John Cusack. Show all posts
Showing posts with label John Cusack. Show all posts

Monday, August 26, 2013

Movie Trailer: SALINGER

SALINGER
Director: Shane Salerno
Starring: Phillip Seymour Hoffman, Edward Norton, John Cusack, John Guare, Tom Wolfe, Danny DeVito


When I saw Blue Jasmine last week, I was fascinated by a new documentary coming out from Shane Salerno. Salerno digs deep into the life of reclusive author J.D. Salinger. I think it is pretty safe to say that almost anyone that read their required reading list in high school has read "The Catcher in the Rye". I know I read it and loved it. I still consider it my favorite book but I haven't read it since my high school days. Would I still sympathize with the misunderstood Holden Caulfield or find him annoying? Maybe I'll pick it up again soon.

Salerno has interviewed dozens of actors, writers, journalists, family, and friends of Salinger to delve into why people are so fascinated by him. I am intrigued by all of the controversy that surrounds like book. How does one book move someone like Mark David Champman to murder? Salerno definitely seems to have done his research and literary fans will most likely flock to to this documentary to learn more about his life.

Here's the trailer:

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Friday, August 16, 2013

Movie Review: LEE DANIELS' THE BUTLER

LEE DANIELS' THE BUTLER
Director: Lee Daniels
Starring: Forest Whitaker, Oprah Winfrey, David Oyelowo, Lenny Kravitz, Cuba Gooding, Jr. Terrence Howard


Director Lee Daniels has lined up one hell of an ensemble for his latest movie. The movie is a who’s who of Oscar winners and heavy hitters. Do not let the trailer fool you; the story is more about the butler’s family than all the presidents the butler worked for. As a young boy, Cecil Gaines (Whitaker) grew up working as a field servant and a house servant on a cotton field. When he is old enough to leave that volatile environment, he gets taken in by a restaurant manager who realizes he is in need of help. He takes him under his wing and teaches him the proper etiquette to be a waiter and butler. After twenty years of serving the guests of the Excelsior Hotel, Cecil’s extraordinary service gets noticed. He gets a call from the White House to work as a butler under President Eisenhower (Robin Williams). For someone from his background, this was an opportunity that only dreams were made of. Cecil would go on to work for each president from the Eisenhower administration through Ronald Reagan (Alan Rickman).


The film centers around the Gaines family and how they deal with the shift in equality for an African American family from the years of the Civil Rights Movement to the eventual run of the first African American president. Cecil’s work in the White House provides support for his wife Gloria (Winfrey) and sons Louis (Oyelowo) and Charlie (Elijah Kelly). Louis grows up to take his life into a different direction by fighting for equality. Much to his parents dismay for his safety, he joins the Freedom Riders, becomes a member of Martin Luther King’s inner circle, and later joins the Black Panthers. Charlie decides to head into battle in Vietnam. Gloria has trouble coping and dealing with the fact her husband is never home and the lives of her sons are always in jeopardy. Cecil remains devoted and faithful to her throughout the years despite some of the choices she makes in dealing with her depression.


Whenever I see “inspired by a true story” in the credits, I translate that to mean that the idea for the film may be based on a real person, but the majority of the story and its characters are fictitious and made-up for dramatic purposes. The screenplay by Emmy winner Danny Strong (Game Change) is adapted from a Washington Post article called, “A Butler Well Served by This Election” by Wil Haygood. The character of Cecil Gaines is based on Eugene Allen who served under eight presidents from Truman to Reagan. He had a wife, one son, and the ending of the movie is similar to the events in Allen’s life, but other than that, the majority of the film is fictional. Some may feel like the film is a choppy Cliff Notes storyline of the history of each of these presidents. I disagree as Strong’s idea to turn the movie into a family story grounds the film and makes it more humane in tone without feeling like a boring special on the History Channel.


Some of the casting may seem a bit gimmicky like having Robin Williams play Eisenhower or John Cusack play Richard Nixon. Surprisingly enough, the majority of the casting works pretty well. The trailer makes it look like they have supporting roles, but many are glorified cameos in one or two scenes. Cusack may not look like Nixon, but he does have the voice down. Many of these actors (Gooding, Kravitz, Carey, Cusack, and Oyelowo) have appeared in Daniels’ other films. If only Jane Fonda could have been in more of the movie as Nancy Reagan. She is quite good in the five minutes we see her. The real standouts are Whitaker, Winfrey, and Oyelowo. It is a bummer that many people forget Winfrey is quite a talented actress. I do not think she or others give her the credit she deserves. Gloria is by no means an easy walk-on role. It is even more impressive as this is her first film in fifteen years since 1998’s Beloved. Winfrey and Whitaker stretch themselves vocally and physically to age their characters at an appropriate pace in the sixty years the film spans. Kudos to the hair and make-up team for their work at aging those characters as well as their work on the other historical figures.


With only four movies under his belt, Lee Daniels is growing as a director. He makes interesting choices with his projects and casting decisions. I do not feel like he is ever playing it completely safe. His ideas may not always work out, but I appreciate his approach and outlook as a filmmaker. Precious was an intense film that packs a punch, but it is a one-time-only film for me. The Paperboy, unfortunately, was a bit of a muddled mess. Lee Daniels’ The Butler may get a bit sentimental for audiences looking for a more historical to-the-point look at the time period. Again, I disagree. Daniels gets fantastic performances out of his cast and keeps the pace going swiftly despite all of the ground he is trying to cover. Strong’s screenplay is sharp enough without ever feeling too “let’s feel sorry for the characters”. There are plenty of good laughs, times you’ll be embarrassed by history, and times you will cheer for the Gaines family. I saw it with a packed house and there were numerous audible reactions along the way.


The movie is definitely aiming for some Oscar gold here. You’ve got your inspirational storyline, historical setting and timeline, stand-out performances, and Oscar winning cast members. We shall see if it is still remembered come voting season. It is produced by The Weinstein Company who love to campaign hard for their movies. Like Fruitvale Station, I think it is another important film to see to remind us of how far we have come regarding equality in this country.

RATING: **** 1/2 (4.5 out of 5 stars)


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Friday, May 10, 2013

Movie Rewind: THE PAPERBOY

THE PAPERBOY (2012)
Director: Lee Daniels
Starring: Zac Efron, Matthew McConaughey, Nicole Kidman, John Cusack


It is the summer of 1969 and it is one hell of a scorcher out there. “God must have been sweating it was so hot”, proclaims Anita Chester (Gray). Sherriff Call killed so many of the African-Americans in this small Florida town that even the white people were afraid of him. That is until the day he wound up dead. She introduces all of the key players in this tale of sweat, murder, and the wrongful imprisonment of the man accused of the murder of Sherriff Call. At the time, she was the maid to Jack Jansen (Efron) and his family. His older brother Ward (McConaughey), a reporter from the Miami Times, is back in town to investigate the crime. Charlotte Bless (Kidman) is new to town and leaves Jack quite speechless and horny. Charlotte spends her time corresponding with inmates including Hillary van Wetter (Cusack) who she believes has been wrongly convicted of killing the Sheriff. By the way, they are also engaged even though they have never actually met in person. She hands over all of her letters from Hillary to Ward. Jack is more than happy to take her to the prison to spend any amount of time with her when he is not laying around the house in his tightie whities fantasizing about her.

The investigation into Hillary plays second fiddle and becomes more of a backstory and a plot device as the movie shifts focus to Jack’s relationships with Charlotte and Ward. Take this scene for instance. A day at the beach between Charlotte and Jack leads to him getting attacked by a jellyfish after a quick dip. She comes to the rescue by peeing all over his chest and face. Since this is a small town, it makes the front page of the newspaper. That is just one of many crazy absurd scenes that follow, each one topping the previous one.

The story is so out of control and nutty that it seems like director Lee Daniels (Precious) decided to go all out on what he was going to make the actors go through to tell this story. Some of these talented actors are up for the challenge while others seem to struggle. Kidman is asked to do a variety of trashy and strange things between orgasming for Cusack in jail and peeing all over Efron. I really appreciate Efron for continuing to take on different roles in order to challenge him and distance him from his High School Musical days. I am sure it was not hard for him to stay shirtless for most of the movie or dance in the rain in his tightie whities. Do not be surprised if you think Macy Gray is one of the better actresses in the movie. She perfectly nails the Southern maid/cook attitude that comes with having to deal with too much crap in her life. Cusack plays against type but it does not seem to work in his favor as he comes across as miscast and trying way too hard to be this maniacal creep.

Daniels co-wrote the screenplay with Pete Dexter based off Dexter’s book of the same name. The script seems all over the place at times. I kept debating whose story was being told. It took some time before it fully settles into what Efron’s character is going through. As great as Macy Gray is, the use of her narrating the story is completely unnecessary. The film is given a grainy look as if to convey the southern, hot, and dirty feel and the camera takes full advantage of using hazy unfocused shots from time to time. The film has that sexually deviant, mysterious, Southern feel that reminded of Wild Things. I personally think that film was far more successful at being over-the-top absurd while having fun with the story. The Paperboy tries way too hard at attempting this feeling and is too unfocused and serious at times.

RATING: ** (2 out of 5 stars)



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